A member of the carnival group “La Vijanera de Silio” poses during the traditional ancient festival in the town of Silio, northern Spain, Saturday, January 7, 2023. (Photo by Alvaro Barrientos/AP Photo)

A model showcases designs by Eko Tjandra during JF3 Jakarta Fashion Festival at La Piazza Fashion tent Summarecon Mall Kelapa Gading on July 27, 2024 in Jakarta, Indonesia. (Photo by Robertus Pudyanto/Getty Images)

A model walks the runway at the Agatha Ruiz de la Prada fashion show during the Mercedes Benz Fashion Week Madrid at Ifema on September 12, 2024 in Madrid, Spain. (Photo by Juan Naharro Gimenez/Getty Images)

A porter stands at the bottom of the Illimani mountain, on the outskirts of La Paz, Bolivia, April 16, 2016. For years, Lydia Huayllas, 48, has worked as a cook at base camps and mountain-climbing refuges on the steep, glacial slopes of Huayna Potosi, a 19,974-foot (6,088-meter) Andean peak outside of La Paz, Bolivia. But two years ago, she and 10 other Aymara indigenous women, ages 42 to 50, who also worked as porters and cooks for mountaineers, put on crampons – spikes fixed to a boot for climbing – under their wide traditional skirts and started to do their own climbing. (Photo by David Mercado/Reuters)

Mara Salvatrucha (MS) gang members show off their weapons in the Las Victorias district of San Salvador. In March 2012, the two largest gangs in El Salvador - the Mara Salvatrucha (MS) and the Barrio 18 (M18) - agreed on a truce following secret negotiations between gang leaders in prison which were mediated by a bishop and a former rebel leader. It is unclear whether the decision was the idea of the gangs themselves or whether they were encouraged by the government. (Photo by Adam Hinton)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Photographer Frank Relle takes long-exposure images of houses in New Orleans. Says Relle, “The city at night comes alive for me. I imagine stories about the people’s lives inside the homes based on the evidence on the outside. My photographs become a portrait without the person. The night obscures details and the lack of information gives possibility”. Photo: “Telemachus”. Farragut Street, New Orleans, La. Nov. 2006. (Photo by Frank Relle)

Residents cross a swelling dam, due to rising waters brought about by Typhoon Koppu, in Las Pinas city, metro Manila October 19, 2015. Powerful typhoon Koppu ploughed into the northeastern Philippines before dawn on Sunday destroying homes and displacing 10,000 people and whipping up coastal surges four meters (12 feet) high, disaster agency officials said. (Photo by Ezra Acayan/Reuters)