A balloon dips into Bald Eagle lake during the 36th Annual Hot Air Balloon Rodeo in Steamboat Springs, Colorado on July 9, 2017. (Photo by Jason Connolly/AFP Photo)

A visitor is dwared between the wheels of BelAZ 450-ton dump truck (L) and BelAZ 360-ton dump truck (R) at the plant of Belarusian manufacturer of heavy trucks and equipment for earthmoving, BelAZ, in Zhodino, some 55 km from Minsk, Belarus, 27 August 2019. The company mostly delivers its products to CIS mining companies, mainly from Russia and Ukraine. (Photo by Tatyana Zenkovich/EPA/EFE/Rex Features/Shutterstock)

Kevin Jay and Nigel Cox perform some light painting on the beach at Frinton-on-Sea in Essex, UK using colour changing LED light wands during a 25-second exposure on March 4, 2024. (Photo by Kevin Jay/Picture Exclusive)

An art installation formed with milk churns, made by land art artist Gerard Benoit a la Guillaume, is seen at the Chenau de Mayen in the resort of Leysin, Switzerland August 7, 2015. More than 80 milk churns were placed between the Tour d'Ai and the Tour de Mayen summits at an altitude of 2,000 meters (6,561 feet) above sea level under the direction of the artist, to be photographed for his ongoing art project entitled “Milk churns without borders”. (Photo by Denis Balibouse/Reuters)

A pole-dancing robot built by British artist Giles Walker performs at a gentlemen's club Monday, January 8, 2018, in Las Vegas. The event was held to coincide with CES International. (Photo by Jae C. Hong/AP Photo)

Thailand's Puttita Supajirakul is down on the court after a point during a women's doubles badminton match against the Netherlands at the 2016 Summer Olympics in Rio de Janeiro, Brazil, August 11, 2016. (Photo by Kin Cheung/AP Photo)

People attend the C2H4 catwalk show at London Fashion Week Men's in London, Britain January 6, 2019. (Photo by Henry Nicholls/Reuters)

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.