An Iraqi woman, dressed as Santa Claus, rides her bicycle amid the spread of the coronavirus in the old city of Mosul, Iraq, December 18, 2020. (Photo by Abdullah Rashid/Reuters)

Vanessa, thirty-five, had three children with an abusive husband. She “lost her mind, started doing heroin”, after losing the children, who were taken away and given to her mother. The drugs led to homelessness and prostitution. She grew up on Arthur Avenue in the Bronx, but now spends her time in Hunts Point, “trying to survive everyday. Just doing whatever it takes”.

Photographer Dotan Saguy visited Cuba expecting to find resentment toward Americans, but he says that, instead, “Every Cuban I met was warm and welcoming despite me being an American”. Here: Several groups of locals relax on the Malecon in Old Havana, Cuba May 1, 2016. Some chat and drink rum while others dive into the warm Caribbean Sea. (Photo by Dotan Saguy)

Graham Fink has been documenting the demolition sites of Shanghai for five years, trying to capture the state of flux during this period of rapid urbanisation. His Ballads of Shanghai exhibition is at London’s Riflemaker gallery until Sunday. Here: “Big Dreams”. (Photo by Graham Fink/Riflemaker)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)

Men rest after salvaging metal on the 30th floor of the “Tower of David” skyscraper in Caracas February 3, 2014. A 45-storey skyscraper in the center of Venezuela's capital Caracas is a slum, probably the highest in the world. Dubbed the “Tower of David”, the building was intended to be a shining new financial center but was abandoned around 1994 after the death of its developer – banker and horse-breeder David Brillembourg – and the collapse of the financial sector. (Photo by Jorge Silva/Reuters)

“Don't take the life too serious”. (Photo by David Olkarny)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)