Director Rian Johnson takes a photo of cast member Janelle Monae at the premiere for the film Glass Onion: A Knives Out Mystery at the Academy Museum of Motion Pictures in Los Angeles, California, U.S., November 14, 2022. (Photo by Mario Anzuoni/Reuters)

Liberians stage a rally for justice in front of the Liberia National Police headquarters in Monrovia, Liberia, 12 April 2022. There has been reported rise in mysterious deaths, and mob justice incidents in the country, according to reports. United Voices Against Injustice, an advocacy group, stage a rally to seek proper justice for all the many mysterious deaths, most especially, those alarming ones of recent in Liberia. (Photo by Ahmed Jallanzo/EPA/EFE)

Working in graphite, gold leaf and mixed media assemblage, Yoann Lossel creates fantastic myth based worlds and scenarios. They have a beautiful graceful ambiance, full of spiritual timelessness and ancient rituals. He is a French painter and designer currently living in the Forest of Broceliande in Brittany, a landscape steeped in Celtic and Arthurian myth. Reflecting this environment – Yoann’s works take the viewer through mythic and imaginary lands, imbued with ancient tales and iconic mysteries.

Cast member, American singer Janelle Monae attends the premiere of “Glass Onion: A Knives Out Mystery” during the closing night gala at the BFI London Film Festival in London, Britain on October 16, 2022. (Photo by Toby Melville/Reuters)

A woman dances as people gather near EU headquarters during a so called “European Demonstration for Freedom and Democracy” protest against COVID-19 security measures taken by European governments, in Brussels, Saturday, May 29, 2021. (Photo by Olivier Matthys/AP Photo)

Italian Prime Minister Giorgia Meloni (L) is welcomed by the European Parliament President Roberta Metsola ahead of a meeting at the European Parliament in Brussels, Belgium, 03 November 2022. (Photo by Stephanie Lecocq/EPA/EFE/Rex Features/Shutterstock)

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)