One morning, this Redditor woke up to his front porch completely riddled with holes. It looked like some gang members spewed buckshot at his doorstep during a drive-by. These holes were made by acorn woodpeckers. The little birds created their own granaries or “acorn trees” to store their food. They do so by drilling holes into whatever they can, sometimes resulting in this kind of damage.

This project features a house covered (inside and out) with thousands of round mirrors that makes it nearly camouflaged. The round mirrors have different shapes and size because each one was handcut by the artist. Visitors are in for a unique experience when the mirrors interactive with nature, glistening as it reflects sunlight while gently flickers when the wind blows.

Kha Tu Ngoc rests in her two- square- meter house in Ho Chi Minh City on May 2, 2018. The “micro- house” dwellings are dotted throughout Vietnam' s bustling southern hub, occupied by families clinging to postage stamp- sized plots a city developing at breakneck pace. Tucked away in winding alleys, nestled under new condo developments or sandwiched between street food stalls and shops, the tiny houses are easily missed by the unattentive passerby. (Photo by Thanh Nguyen/AFP Photo)

The images of U.S. Democratic presidential candidate Hillary Clinton (L) and Republican Presidential candidate Donald Trump are seen painted on decorative pumpkins created by artist John Kettman in LaSalle, Illinois, U.S., June 8, 2016. (Photo by Jim Young/Reuters)

Actress with the Donbass Opera Theatre prepares to perform Eugene Onegin in Donetsk, Ukraine, Saturday, February 7, 2015. For the few dozen spectators that turn up, the weekly performances at the city's opera house serve as a respite from the war raging outside between Russian-backed separatists and Ukrainian government forces. (Photo by Petr David Josek/AP Photo)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)