This project features a house covered (inside and out) with thousands of round mirrors that makes it nearly camouflaged. The round mirrors have different shapes and size because each one was handcut by the artist. Visitors are in for a unique experience when the mirrors interactive with nature, glistening as it reflects sunlight while gently flickers when the wind blows.

Thanks to plenty of salt minerals and heavy elements in the soil, the Dallol volcano in Ethiopia produces brilliantly colored pools of water at the top of its caldera. And, as if to add greater effect to the already stunning sights, the volcano stands apart from the salt plains around it like an island. This hotspot was created through phreatomagmatic eruptions caused by magma interacting with water, and was further altered due to the presence of salt water. (Photo by Francisco Pandolfo/Caters News)

A cat wears a “Tsunagaru Col” gadget next to a smart phone displaying the connected app, at the Anicall Corp booth during the Wearable Device Technology Expo in Tokyo January 14, 2015. The gadget (“Tsunagaru” means connection) for animals tracks information about pets, such as the location and other animals the pet might be interacting with, with the purpose of providing “social networking” for animals. The expo runs until January 16 as a part of Japan's largest electronic exhibition expected to attract around 77,000 visitors, according to organisers. (Photo by Yuya Shino/Reuters)

A participant takes part in the Bristol Park and Slide project, an interactive temporary installation by artist Luke Jerram set up in Park Street in the centre of Bristol, southwest England on May 4, 2014. Over 95,000 people applied for just 360 tickets to slide on inflatable lilos down a lubricated water slide in a town centre street. (Photo by Leon Neal/AFP Photo)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

A woman carries a Persian cat during the “SuperCat Show 2017” on November 11, 2017 in Rome, Italy. Considered the Super Bowl for all things feline, the two-day exhibition features beauty contests, information sessions, shopping and interactive games. (Photo by Alberto Pizzoli/AFP Photo)

A woman uses a virtual reality (VR) headset to view images by Mexican painter Frida Kahlo in Mexico City, Mexico, 23 May 2018. The technological giant Google launched the “The Faces of Frida”, an interactive digital exhibition that treasures the heartrending work of the Mexican artist to tell her story from different points of view, with attention to the invisible details. (Photo by Sashenka Gutierrez/EPA/EFE)

A vegetable vendor wearing gloves and face mask as a precaution against the coronavirus interacts with a customer in Bengaluru, India, Sunday, October 11, 2020. India's confirmed coronavirus toll crossed 7 million on Sunday with a number of new cases dipping in recent weeks, even as health experts warn of mask and distancing fatigue setting in. (Photo by Aijaz Rahi/AP Photo)