Businesswoman with skirt caught in underwear. Image shot 2008, exact date unknown. (Photo by Alamy Stock Photo)

Waiters pose at their terrace of their restaurant rue de Buci in Paris on June 2, 2020, as cafes and restaurants reopen in France, while the country eases lockdown measures taken to curb the spread of the COVID-19 (the novel coronavirus). (Photo by Martin Bureau/AFP Photo)

Afghan children wait as their mothers receive treatment at a USAID-funded health center on September 7, 2011 in Farza, Afghanistan. Almost 10 years after the 9/11 attacks and the U.S. invasion of Afghanistan, the U.S. government funds some of 500 Afghan health facilities nationwide, most run by non-governmental organizations contracted by the Afghan Ministry of Public Health. (Photo by John Moore/Getty Images)

A girl uses her mobile phone during the evening at the National Park in Khartoum, Sudan, April 24, 2015. (Photo by Mohamed Nureldin Abdallah/Reuters)

Stumpy the mascot dances near “Stumpy” the cherry tree at the tidal basin in Washington, Tuesday, March 19, 2024. The weakened tree is experiencing its last peak bloom before being removed for a renovation project that will rebuild seawalls around Tidal Basin and West Potomac Park. (Photo by Nathan Ellgren/AP Photo)

A life-size robot named “Mark 1”, built by product and graphic designer Ricky Ma, 42, is seen in Hong Kong, China March 31, 2016. Ma, a robot enthusiast, spent a year-and-a half and more than HK$400,000 ($51,000) to create the humanoid robot, which is modelled after a Hollywood star, to fulfil his childhood dream. The eyes of the robot include face and color tracking functions. (Photo by Bobby Yip/Reuters)

A riot policeman uses a baton to hit a rioting University of Nairobi student in Kenya's capital Nairobi, in this May 20, 2014 file photo. (Photo by Noor Khamis/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)