Tempering the violence of modern weaponry with charmingly rendered creatures, artist Xiau-Fong Wee captures a dark humor in her quirky drawings. While some of the weapons appear terrifyingly realistic, others such as in the ray gun wielding bunny portrait, speaks more to the fantastical worlds of science fiction. The anthropomorphic dispositions of the spectacle-wearing creatures also range in merry reverie to stern seriousness, adding to the delightful nature of these well-executed portraits. View more of the drawings below.

In this July 15, 2015 photo, Nepalese amputee victims Khendo Tamang, left, and Nirmala Pariyar, both 8, share a single pair of shoes at the Bir Trauma Center in Kathmandu, Nepal. After suffering serious leg wounds in Nepal's massive 2015 earthquake that killed and injured thousands, both girls were brought to the Bir Trauma Center in Kathmandu, to receive single leg amputations. Following their surgeries, Nirmala's relentless cheerfulness drew a still very depressed Khendo close and both found an inseparable friendship which has helped their emotional wounds heal. (Photo by Niranjan Shrestha/AP Photo)

Eight-year-old handicapped Chinese girl Qian Hongyan crawls with two home-made props and part of a basketball at Zhuangxia Village on January 5, 2005 in Luliang County of Qujing City, Yunnan Province, China.

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Gun enthusiasts look over Smith & Wesson pistols at the NRA Annual Meetings & Exhibits on May 21, 2016 in Louisville, Kentucky. About 80,000 visitors are expected to attend the three-day event. (Photo by Scott Olson/Getty Images)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)