Female pilot Anna climbs out the cockpit of Japanese electronics company Suidobashi Heavy Industry's newly unveiled robot “Kuratas” at the Wonder Festival in Chiba, suburban Tokyo on July 29, 2012. The “Kuratas” robot, which will go on sale with a price tag of one million USD, measures four meters in height, weighs four tons and has four wheeled legs that can either be controlled remotely through the 3G network or by a human seated within the cockpit. (Photo by Yoshikazu Tsuno/AFP Photo)

Japanese toy maker Takara Tomy's world's smallest humanoid robot “i-Sobot” is displayed during the Toy Forum 2007 on January 23, 2007 in Tokyo, Japan. The 165mm height robot is able to walk, play the drums and keep its balance. (Photo by Koichi Kamoshida/Getty Images)

A potential bidder carefully examines pieces of Tuna in order to ascertain the quality and to estimate its price ahead of the Tuna auction at the Tsukiji fish market on February 28, 2012 in Tokyo, Japan. (Photo by Daniel Berehulak /Getty Images)

Born in Tokyo, Dusseldorf-based artist Ramon Todo creates beautiful textural juxtapositions using layers of glass in unexpected places. Starting with various stones, volcanic rock, fragments of the Berlin wall, and even books, the artist inserts perfectly cut glass fragments that seem to slice through the object resulting in segments of translucence where you would least expect it.

Japanese artist Hikaru Cho is already well-known for her bizarre and realistic body paintings, but now the Tokyo-based artist has applied her talent to everyday food items as well. In her playful “It’s Not What It Seems” series, she turns common foods into other kinds of food using only acrylic paint and her extraordinary talent.

A reveller sleeps on the pavement during the Sanja Matsuri festival in the Asakusa district of Tokyo May 17, 2015. The Sanja Matsuri festival attracts over about one million visitors over its duration of three days, when parties of revellers carry portable shrines through the Asakusa neighbourhood, rocking and shaking them in a belief that this intensified the powers of the deities that reside inside them. (Photo by Thomas Peter/Reuters)

Two office workers wearing summer kimonos Yukata look at paper lanterns as they visit on the eve of Mitama Matsuri, a summer festival at Yasukuni Shrine in Tokyo, Japan, 13 July 2015. About 300,000 people visit the shrine decorated with about 30,000 lanterns during the three-day summer festival aiming at comforting souls of dead, especially for the war dead. The festival is after Japan's Buddhist custom to honor and comfort souls of family's ancestors. (Photo by Kimimasa Mayama/EPA)