Aide Choque, wearing a mask amid the COVID-19 pandemic, jumps with her skateboard during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

Felix Gelin and Claudine Jean describe in sign language how their community, the La Piste encampment, went up in flames this past summer, in Port-au-Prince, Haiti, Sunday, September 20, 2021. According to residents and a United Nations account, police lead the assault at dusk on the encampment, a shelter for deaf and disabled Haitians relocated there by the International Red Cross after the 2010 earthquake leveled the capital. (Photo by Rodrigo Abd/AP Photo)

A resident receives a dose of Pfizer BioNTech COVID-19 vaccine at a rural village on December 01, 2021 in Aringay, La Union province, Philippines. The Philippines is rushing to vaccinate its population as it mulls making COVID-19 vaccination mandatory and amid the looming threat of the Omicron variant of the coronavirus. The country, which has just approved booster shots for its adult population, launched a three-day national vaccination holiday on November 29 to December 1 with the goal of vaccinating at least nine million additional people. (Photo by Ezra Acayan/Getty Images)

Visitors look at photographs in the exhibition “Lisette Model Street Life e Horst P. Horst Syle and Glamour” at the art gallery “Camera – Centro Italiano per la fotografia” in Turin, Italy, 27 April 2021. Culture venues reopened to the public as several Italian region are back to COVID-19 yellow zone in the country's tier system. (Photo by Alessandro di Marco/EPA/EFE)

Yanira Villarreal, left, Ayde Choque, center, and Milenda Limachi, wearings masks amid the COVID-19 pandemic and dressed as a “Cholita” pose for a photo with their skateboards during a youth talent show in La Paz, Bolivia, Wednesday, September 30, 2020. Young women called “Skates Imillas”, using the Aymara word for girl Imilla, use traditional Indigenous clothing as a statement of pride of their Indigenous culture while playing riding their skateboards. (Photo by Juan Karita/AP Photo)

Papier-mache sculptures, also known as “ninots”, burn during the “Nit de la Crema” (Fire Night) of the Fallas Festival in Valencia, eastern Spain, 19 March 2024. Fallas is a fortnight-long fiesta in which installations of parodic papier-mache, cardboard, and wooden sculptures are traditionally burnt every year on the last day of the event in the so-called “Crema” to end the festivities. (Photo by Biel Alino/EPA/EFE)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)