Students pose for a picture with a 3- D optical illusion artwork of a devastated cityscape in Aleppo, Syria at the campus of the Meiji University in Tokyo on November 18, 2016. The Japanese branch of the human rights organisation Amnesty International displayed the artwork to encourage people to think about the Syrian civil war. (Photo by Toshifumi Kitamura/AFP Photo)

British artist, Mark Coreth sits on top of the “Sydney Ice Bear” carved from a 10 tonne block of ice to illustrate how humans affect climate change in the Arctic at Customs House on June 3, 2011 in Sydney, Australia. The public will be welcomed to touch the bear, and leave an imprint which will begin the melting process and act as a metaphor for how humans affect the environment. The ice bear's has visited six cities on it's global tour since 2009; the visit to Sydney coincides with World Environment Day on June 5. (Photo by Lisa Maree Williams/Getty Images)

This is the stunning body of work by a talented painter – who transforms humans into amazing animals. From alligators to foxes and even owls, artist Shannon Holt, 39, paints every little detail on models to turn them into wildlife. The incredible paintings, which take anywhere between six to 12.5 hours to complete, are part of her Florida Wildlife Series. Shannon, from DeLand, Florida, previously worked on different surfaces such as glass, metals and wood. But the animal advocate decided to experiment with human canvasses and incorporate animals in her work. Here: Red Fox. (Photo by Ryder Gledhill/Shannon Holt/Caters News)

Tiffany Noreuil at the Oregon Humane Society in Portland, Oregon, holds feline Hercules, a 20-pound stray whose girth got him stuck in a pet door while trying to plunder some dog food. (Photo by AP Photo)

See also: Large People

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

“Life-size humanoid robot BERTI (Bristol EluMotion Robotic Torso number 1 or RT-1) is a self contained, fully automated Robotic Torso, designed and built by Elumotion to provide a robotic platform based on human anatomy. RT-1 is a highly articulated manipulating platform and includes novel dexterous hands that allow emulation of human gesturing”. – Elumotion.com

Photo: BERTI the robot interacts with a Sony AIBO robot dog at The Science Museum's Antenna Gallery on February 17, 2009 in London. (Photo by Peter Macdiarmid/Getty Images)

Attendees at the Midwest FurFest gather for a group photo in the Chicago suburb of Rosemont, Illinois, United States, December 5, 2015. Over 5000 people gathered to follow the Furry Fandom based on anthropomorphic animals, animated cartoon characters with human characteristics, or “Furries”. (Photo by Jim Young/Reuters)

Cairo-based artist Chanel Arif's paints for her art project called After Dinner that uses humans and their surroundings as her canvas, in her gallery in the capital of Cairo, Egypt March 2, 2017. (Photo by Sherif Fahmy/Reuters)