English fashion modelDaisy Lowe performs a DJ set for Badoos #DateOfTheDead party at La Bodega Negra on October 26, 2017 in London, England. (Photo by Tabatha Fireman/Tabatha Fireman/Getty Images for Badoo)

A woman walks into the ocean as a sea lion makes its way to the beach in the La Jolla neighborhood of San Diego, California, on September 3, 2025. (Photo by Mike Blake/Reuters)

A young boy scoops water from a hand-dug well in the dry riverbed near Matinyani, in the semi-arid Kitui County in southeastern Kenya, 22 March 2015, the World Water Day. Residents of Kitui County and other arid and semi-arid areas of the country have been hard-hit by extremely poor rainfall this year while the government said in previous month that some 1.6 million people countrywide are facing acute starvation due to the drought and will need relief food over the next six months. Residents of Matinyani say they haven't seen a drop of rain in nearly four months. Thousands of Kenyans in rural areas walk tens of kilometers just to fetch water to drink and to be used in their homes. According to an estimate by UNESCO (United Nations Educational, Scientific and Cultural Organization), 17 million people lack access to safe water in Kenya, where the drought is a perennial problem. (Photo by Dai Kurokawa/EPA)

Sleep under the Stars, hosted by Hepburn Wind, has given us an opportunity to enrich our daily life with art. Thanks to this festival, a regular wind turbine was turned into a marvelous peace of art. The artwork is especially noticeable, since its theme greatly contrasts with the background behind the wind turbine. Moreover, the idea of drawing a woman-giantess walking over the mountain tops on a large conical object is quite extraordinary. Nevertheless, the grey and green colors of the picture were very well chosen for this particular image. You can only imagine the obstacles that the artists had to face when making a picture on such a large object. However, nowadays, people never cease to amaze with their ingenuity, leaving us gaping in awe at their creations.

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)

A woman (L) places flowers at a grave next to a mummified body during exhumation works at the General Cemetery in Guatemala City, April 15, 2015. If a lease on a grave has expired or not been paid, grave cleaners will break open the crypts to remove and rebury the bodies. Any remains that have not been claimed are packed into plastic bags, labeled and stored in mass graves. Bodies that have been stored in the upper crypt are exposed to dry and sunny conditions which means they do not decompose and instead become mummified. (Photo by Jorge Dan Lopez/Reuters)

Some companies in Taiwan spend months building temples with bricks and cement, but Lin Fu-Chun's firm simply pours concrete into a giant mould and waits for it to dry. The 78-year-old Lin said his temple factory, Chuanso, needed just over six weeks to finish a building that normally took six months with conventional methods – and moulding was 40 percent cheaper. Here: An employee paints a ready-made Chinese traditional temple at the Chuanso factory that manufactures religious objects in Pingtung, Taiwan July 5, 2016. (Photo by Tyrone Siu/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.