Reflected in an ornament, a reporter takes a photo of the White House Christmas Tree in the Blue Room during a media preview of the holiday decor at the White House in Washington, U.S., November 29, 2016. (Photo by Kevin Lamarque/Reuters)

Nico Martin with a Mini Electric wrapped in thousands of Christmas fairy lights, at Greenfield Farm in Christmas Common, Oxfordshire on November 9, 2021. Nico, from Bracknell in Berkshire, has wrapped his own Mini in lights for the last two years, raising money for the MS Trust and for Duchenne UK. This year Mini are supporting Nico, providing him with a Mini Electric wrapped in thousands of Christmas lights ready for him to take out on the road. (Photo by Jacob King/PA Images via Getty Images)

People walk in the Old City of Damascus, Syria, decorated for the upcoming Christmas holidays, Tuesday, December 14, 2021. (Photo by Omar Sanadiki/AP Photo)

Pedestrians use their smartphones to capture the newly illuminated Christmas tree at the Syntagma square in Athens on November 23, 2023. (Photo by Angelos Tzortzinis/AFP Photo)

The driver of a Maerlitram (fairy tram), dressed as a Santa Claus, walks past a car which crashed into the tram in Zurich, Switzerland December 7, 2017. (Photo by Angelika Gruber/Reuters)

The first solar-powered station designed to look like a tree provides users with a free Wi-Fi spot charging station, seating and cool drinking water.

Created by artist and unassuming local celebrity, Keith Jennings, the first tree spirit arrived on St. Simons Island in 1982. The old story goes that Keith negotiated his way out of a bar tab, hence, a tree priestess was born behind Murphy’s Tavern, on a blurry Saturday morning. In his own words, however, Keith states that his first tree spirit was created in the back yard of a place called, “The Animal Farm”. Either way, Keith Jennings has been known to cut the rug around here, no matter how you slice it.

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.