A visitors to the National Galleries of Scotland view the work “A girl” of sculptor Ron Mueck on August 4, 2006 Edinburgh in Scotland. (Photo by Jeff J Mitchell/Getty Images)

Travellers stop to take a second glance at a model of a giant lady with her head stuck in a photo booth being exhibited in Victoria train station on September 21, 2007 in London, England. (Photo by Cate Gillon/Getty Images)

Decorative model Elephants stand in Trafalgar Square on May 4, 2010 in London, England. 260 of the decorative life size baby Elephants have been designed by established and emerging artists including Paul Smith, Marc Quinn and Julien Macdonald and have been placed across the capital in prominent places such as Buckingham Palace, Parliament Square and Trafalgar Square. (Photo by Dan Kitwood/Getty Images)

A competitor tries to swipe away some grease as he slips off the “gostra”, a pole covered in grease, during the celebrations for the religious feast of St Julian, patron of the town of St Julian's, outside Valletta August 30, 2015. In the traditional “gostra”, a game stretching back to the Middle Ages, young men, women and children have to make their way to the top of a pole and try to uproot one of the flags to win prizes. Photo by Darrin Zammit Lupi/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

“I was born in Zimbabwe, Africa in 1981 and grew up in Las Cruces, New Mexico. I graduated with a degree in Acting, and after college, worked as an actor and musician for the Santa Fe Shakespeare Festival, the San Francisco Shakespeare Festival, and the California Shakespeare Theater. I have had a lifelong passion for drawing, painting, and sculpture since I first saw Michelangelo's “Head of Leda” in a book in the library”.