Some people joke about having clowns at their funeral, but how about having a coffin that looks like a gigantic cellphone? It is impossible to tell at the first glance that these colorful sculptures are actually coffins. The coffins were made by Kane Kwei and his assistant Paa Joe more than twenty years ago and have been a somewhat grim tourist attraction ever since. These coffins were probably made as an advertisement for the actual business, since it would hard to imagine someone actually ordering a coffin such as this.

Worshippers of the Black Christ of Portobelo look at the statue during the annual celebratory pilgrimage in Portobelo, in the province of Colon October 21, 2015. Thousands of devotees gather at the Festival of the Black Christ every year to celebrate Christ's miracles. (Photo by Carlos Jasso/Reuters)

Women in costumes walk as they participate in Halloween celebrations in the downtown of Seoul, South Korea, October 31, 2015. (Photo by Kim Hong-Ji/Reuters)

A Russian daredevil has captured a vertigo-inducing selfie – while standing on top of a Dubai skyscraper. Nineteen-year-old Alexander Remnev scaled the Princess Tower – the worlds tallest residential building at 1,350ft – before getting his camera out to take these stomach-churning pictures. Photo: He leans on the very top of the tower as he takes this vertigo-inducing picture. (Photo by Alexander Remnev/Caters News)

A thrill-seeking storm chaser captured the precise moment these giant lightning bolts lit up dark skies in a series of incredible storms. (Photo by Craig Eccles/Solent News & Photo Agency)

Britain's BASE jumper Sam Hardy lives up to his name after throwing himself off the top of the 335m-high Kuala Lumpur Tower during the KL Tower International Jump in Kuala Lumpur, Malaysia, Saturday, September 27, 2014. BASE stands for the places such jumpers usually jump from: buildings, antennas, spans (bridges) and earth (cliffs). (Photo by Lai Seng Sin/AP Photo)

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.