A 22-year-old woman in a wedding gown is grabbed by Guo Zhongfan, a local community officer, as she attempts to kill herself by jumping out of a seven-storey residential building in Changchun, Jilin province. According to local media, the woman tried to commit suicide after her boyfriend of four years broke up with her, just as they were making plans to get married. The woman did not sustain any injuries during the incident. (Photo by China Daily/Reuters)

A Polisario fighter sits on a rock at a forward base on the outskirts of Tifariti, Western Sahara, September 9, 2016. At a rocky outpost in Western Sahara, a new generation of soldiers who have never known war are mobilising as tensions resurface in one of Africa's oldest disputes after a quarter century of uneasy peace. (Photo by Zohra Bensemra/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

A paper mache pig meant to mock Donald Trump sits on display at a protest against the Republican presidential candidate before the start of the Republican National Convention in Cleveland, Ohio, USA, 17 July 2016. Numerous protest groups are expected in Cleveland throughout the four-day-long convention. (Photo by Jim Lo Scalzo/EPA)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.