A woman walks protecting herself from rain after Hurricane Matthew in Les Anglais, Haiti, October 13, 2016. (Photo by Andres Martinez Casares/Reuters)

Grand champion Hakuho (front) barely defeats Daieisho on the first day of the Spring Grand Sumo Tournament at Tokyo's Ryogoku Kokugikan on March 14, 2021. (Photo by Kyodo News/Newscom/Profimedia)

A man interacts with his camel while posing for a picture at the Pushkar Camel Fair in Pushkar in the Indian state of Rajasthan state on November 12, 2021. (Photo by Himanshu Sharma/AFP Photo)

“With a fourth explosion rocking the Fukushima nuclear plant on Tuesday, danger of the spent nuke fuel pool boiling and radiation levels at the facility's gate increasing hundredfold, fears of a meltdown in Japan skyrocket”. – Russia Today

Photo: In this handout image provided by U.S. Navy, an aerial view of tsunami and earthquake damage is seen from an SH-60B helicopter assigned to the Chargers of Helicopter Antisubmarine Squadron (HS) 14 from Naval Air Facility Atsugi March 12, 2011 seen from the air of Sendai, Japan. (Photo by U.S. Navy via Getty Images)

A Syrian refugee man (obscured) moves boxes of goods at his shop in Zaatari refugee camp near the border with Syria, in Mafraq, Jordan October 15, 2016. (Photo by Ammar Awad/Reuters)

Maya, 8, and Kishore, 13, pose for a wedding photo inside their new home, the day after the Hindu holy day of Akshaya Tritiya, called Akha Teej in North India. Despite legislation forbidding child marriage in India (Child Marriage Restraint Act-1929) and the much more progressive Prohibition of Child Marriage Act (2006) and many initiatives to prevent child marriage, marrying children off at a very tender age continues to be accepted by large sections of society. (Photo by Stephanie Sinclair/VII Photo Agency)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.