Ballerinas perform during an ice-cream factory promotional event at an observation floor of the Moscow International Business Centre, also known as “Moskva-City”, in Moscow, Russia October 25, 2018. (Photo by Shamil Zhumatov/Reuters)

In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)

A man adjusts vermicelli, a specialty eaten during the Muslim fasting month of Ramadan, at a factory in Chandigarh, India, June 30, 2016. (Photo by Ajay Verma/Reuters)

Actors recreate scenes on the streets of Digbeth during The Legitimate Peaky Blinders Festival 2019 at the Custard Factory on September 14, 2019 in Birmingham, England. (Photo by Jacob King/PA Wire Press Association)

A man prepares cookies at a small traditional factory for the Eid al-Adha, amid the spread of the coronavirus disease (COVID-19), in Kabul, Afghanistan on July 29, 2020. (Photo by Mohammad Ismail/Reuters)

The Dark Knight (2008) was a visual feast firmly grounded in reality. But what if it had been a little more "freaktastic?" Professional concept artist Rob Bliss, who also worked on Lara Croft: Tomb Raider (2001), Watchmen (2005) and Jack the Giant Killer (2009-10) created some truly bizarre visuals for the film. Some are available in his portfolio including The Joker (Heath Ledger), the Joker's clown masked men in the bank heist and horrific images of Harvey "Two-Face" Dent (Aaron Eckhart).

Frog legs it! Indonesian flying frog tries to hitch a ride on snail's back before realising it would be quicker to hop it alone. A tiny frog struck up an unlikely friendship with a giant African land snail after clambering onto its shell to catch a ride. (Photo by Hendy Mp/SOLENT/Visual Press Agency)

A human rainbow is created at a BASEOrlando coordinated event, “Orlando Strong Body Paint”, on Friday, June 17, 2016 in Orlando, Fl. The group created the rainbow, composed of volunteers numbering the same as that of the victims of the Pulse shooting, as a visual reminder of the amount of lives lost. (Photos by Amanda Voisard/The Washington Post)