The Tibetan night sky was captured in these beautiful images showing the stunning buildings and statues in the Himalayan mountains. Grey Chow, 33, traveled for two hours to get to the Spiti Valley to capture the starry backdrop along the isolated, deserted roads. The senior project engineer was able to take amazingly clear images thanks to the limited amount of pollution at the 4,500-foot (1371m) altitude. (Photo by Grey Chow/Caters News Agency)

Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

A boy looks at a six-metre tall luminescent puppet, operated by ten performers, during a preview of Vivid Sydney, promoted as the world's largest festival of light, music and ideas, in Sydney, Australia on May 23, 2018. “Vivid” is a major outdoor cultural event featuring light installations and projections with the annual event this year running from May 25 to June 16, 2018. (Photo by David Gray/Reuters)

People in boats approach “Die Badende” (“The Bather”), a giant sculpture showing a woman's head and knees as if she were resting in the Binnenalster lake on August 3, 2011 in Hamburg, Germany. The sculpture, which is made of styrofoam and steel and measures 4 meters high and 30 meters long, is a project by artist Oliver Voss and will be on display for the next ten days. (Photo by Sean Gallup/Getty Images)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.

At first, British photographer Martin Usborne just wanted to do some reporting on people who leave their dogs locked up in cars. But as he went around scouring parking lots, “making barking noises to try and awaken sleeping dogs that were not actually there,” his project took on a new artistic direction. “The Silence of Dogs in Cars” was inspired by a “childhood memory of waiting in a car whilst his parents were shopping in a supermarket, and the youthful fear that they would not return.”