Claudionor Jose de Deus, wearing a Santa Claus costume, arrives at Santa Rosa community to distribute presents to children, on the shores of the Amazon River in rural Manaus, Brazil, December 19, 2015. Jose de Deus is part of a volunteer group that distributes toys to children from poor neighborhoods and riverside communities that are distant from the city. (Photo by Bruno Kelly/Reuters)

Attnedees dressed in Zombie outfits walk down the Gaslamp Quarter outside of the 2015 Comic-Con International in San Diego, California July 8, 2015. (Photo by Sandy Huffaker/Reuters)

A staff member demonstrates how she puts on the helmet of a mock space suit at the C-Space Project Mars simulation base in the Gobi Desert outside Jinchang, Gansu Province, China, April 17, 2019. The facility – comprising several interconnected modules including a greenhouse and a mock decompression chamber – opened its doors to the public. (Photo by Thomas Peter/Reuters)

A woman looks on while a horse-drawn carriage passes by Italian artist Emilio Ferro's artwork installation “Portal of Light” at the Giza pyramids necropolis during the second edition of the Art D’Égypte exhibition “Forever is Now” on October 27, 2022. (Photo by Khaled Desouki/AFP Photo)

Vivid Sydney is a unique annual event of light, music and ideas, featuring an outdoor 'gallery' of extraordinary lighting sculptures, a cutting-edge contemporary music program, some of the world's most important creative industry forums and, of course, the spectacular illumination of the Sydney Opera House sails. It positions Sydney as the creative hub of Australia and the Asia-Pacific region, and delivers both innovative live entertainment and creative inspiration on a grand scale.

Thousands flock to Bondi Beach for the traditional expats Christmas Day celebration in Sydney, Australia, 25 December 2014. Expats of all nationalities have been flocking to Bondi Beach for Christmas Day for many years. (Photo by Dean Lewins/EPA)

A grasshopper rests on a photographic camera during a meeting in the village of Alto Jamari called to face the threat of armed land grabbers invading the Uru-eu-wau-wau Indigenous Reservation near Campo Novo de Rondonia, Brazil on January 30, 2019. (Photo by Ueslei Marcelino/Reuters)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.