Lucy the Elephant is a six-story elephant-shaped example of novelty architecture, constructed of wood and tin sheeting in 1881 by James V. Lafferty in Margate City, Atlantic County, New Jersey, United States, two miles (3.2 km) south of Atlantic City, in an effort to sell real estate and attract tourists.

Urban photographer Roman Robroek spent five years scouring the continent for the grandest examples of forgotten architectural beauty. Here: Watch your step on this Polish spiral staircase. (Photo by Roman Robroek/South West News Service)

A man and a woman jump over a bonfire during Ivan Kupala Day celebrations held by the Belarusian State Museum of Folk Architecture and Rural Lifestyle in the village of Ozertso near Minsk, Belarus on July 4, 2020. Ivan Kupala Day, also known as Ivana-Kupala or Kupala Night, is a traditional pagan holiday celebrated in eastern Slavic cultures. Various rituals are traditionally performed on Kupala Night, including making flower wreaths, fortune-telling, jumping over bonfires, and burning a wheel-like effigy symbolizing the sun. (Photo by Natalia Fedosenko/TASS)

Prada Marfa is a permanently installed sculpture by artists Elmgreen and Dragset, situated 1.4 miles (2.3 km) northwest of Valentine, Texas, just off U.S. Highway 90 (US 90), and about 26 miles (42 km) northwest of the city of Marfa. The installation was inaugurated on October 1, 2005. The artists called the work a "pop architectural land art project."

Stuart Haygarth hangs his spectacle chandelier at The Lighthouse, Scotland's national Architecture Design Centre on November 29, 2007 in Glasgow, Scotland. The 7ft chandelier is made of over 1000 pairs of glasses, and is one of a range of products the designer has made out of recycled products. (Photo by Jeff J Mitchell/Getty Images)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.