A reveller wearing a costume dances as she holds a dring during the carnival street parade in Valletta, Malta, February 25, 2017. (Photo by Darrin Zammit Lupi/Reuters)

A woman walks past a mural painting on a street in Tokyo, Japan on Wednesday, April 25, 2018. (Photo by Koji Sasahara/AP Photo)

A stray dog is pictured besides a graffiti made on a shutter of a closed shop at a market area during an ongoing state-wide weekend curfew imposed by the directive of the Delhi government to curb the spread of the Covid-19 coronavirus in New Delhi on January 9, 2022. (Photo by Sajjad Hussain/AFP Photo)

A mural depicting a resting cat by Russian street artist Vladi is photographed by a man outside a hotel in Hong Kong on November 27, 2023. (Photo by Peter Parks/AFP Photo)

Liverpool fans walk past a mural of the Beatle’s Abbey Road album ahead of the Carabao Cup final match between Liverpool and Chelsea at the Camp and Furnace venue in Liverpool, Britain, 25 February 2024. (Photo by Adam Vaughan/EPA)

A group of young women have 'a bit of a do' for Oxfam at St Pancras International and enjoy a screening of the nation's favourite chick-flick Dirty Dancing on February 28, 2011 in London, England. Oxfam is calling on women across the UK to get together with their female friends in March to celebrate women's achievements for the 100th anniversary of International Women's Day (March 8, 2011) and raise money to support their work with women living in poverty. www.oxfam.org.uk/do (Photo by Ian Gavan/Getty Images for Oxfam). LONDON, ENGLAND – FEBRUARY 28

Baraa Melhem plays on her sisters bike at her mothers house on February 2, 2012 in Qalandia, near Ramallah, West Bank. Baraa Melhem was held in captivity in a bathroom by her father for over nine years, and was finally rescued by Palestinian security forces after a family member notified police. (Photo by Ilia Yefimovich/Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.