Girls play in the water during the Balaton Sound music festival held on the shore of lake Balaton in Zamardi, west Hungary, on July 9, 2017. (Photo by Sandor Csudai/Rockstar Photographers)
Revellers attend the 25th edition of the Sziget Festival on August 9, 2017 in Budapest, Hungary. The Sziget Festival, one of the largest music and cultural festivals in Europe, celebrates its 25th anniversary in 2017, taking place from August 9-16 on the Hajogyari Sziget in Budapest. (Photo by Laszlo Mudra/Rockstar Photographers)
A group of scantily-clad women pose for photographs at the annual Venus erotic trade fair in Berlin, Germany on 12 October 2017. Venus Berlin is among the largest international erotic trade fairs, with more then 250 exhibitions from 40 countries and 30,000 visitors. (Photo by Alamy Live News)
IT'S a relatively simple idea – set up a mirror so you can capture the reflection of a dramatic landscape in a single photograph. Photographer Daniel Kukla, from New York, created a spectacular series of artworks called The Edge Effect using the technique. He clamped the mirror onto an easel and placed it in various settings in the Joshua Tree National Park, California.
This print campaign for the Berlin Philharmonic orchestra uses macro photographs taken inside the cramped spaces of instruments making the inner workings of a violin, cello, flute, and pipe organ appear vast and spacious, almost as if you could walk around inside them. So wonderfully done. Art directed by photographer Bjoern Ewers, you can see more over on Behance.
Sharon Montrose has what most people consider a dream job: She photographs adorable animals – from lions to flamingos to knobbly-kneed giraffes – and sells prints online at her store, The Animal Print Shop. But what's her job really like? Does she ever get scared? What's the trickiest animal to photograph?
For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon
Gus Palmer (Kiowa, at left), side gunner, and Horace Poolaw (Kiowa), aerial photographer, in front of a B-17 Flying Fortress. MacDill Field, Tampa, Florida, ca. 1944. (Photo and caption by 2014 Estate of Horace Poolaw)