The Frecce Tricolori perform over a deserted Via del Corso on Liberation Day following the outbreak of the coronavirus disease (COVID-19) in Rome, Italy, April 25, 2020. (Photo by Remo Casilli/Reuters)

The full moon rises behind the cooling towers of the nuclear power station in Philippsburg, Germany, 06 May 2020. The nuclear power plant in Philippsburg was completely shut down by 31 December 2019. According to the operator EnBW, the two cooling towers are expected to be demolished by blasting on 14-15 May 2020. (Photo by Ronald Wittek/EPA/EFE)

Icelandic horses play on a stud farm in Wehrheim Frankfurt, Germany, as the sun rises on Thursday, May 21, 2020. (Photo by Michael Probst/AP Photo)

The Sheep watch the sunset from the top of Cleeve Hill, Cheltenham, United Kingdom on June 22, 2020. (Photo by Jack Boskett/The Telegraph)

Devotees of Santa Muerte visit her shrine in the Tepito neighborhood on the eve of the Day of the Dead in Mexico City, Mexico on October 31, 2022. (Photo by Gustavo Graf/Reuters)

Young people play with foam during a march to commemorate Youth Day in Caracas, Venezuela, 12 February 2025. The president of Venezuela's National Assembly (AN, Parliament), Chavista Jorge Rodriguez, invited, before hundreds of followers who commemorated Youth Day, all young migrants to return to the country so that they can “build a prosperous homeland”. (Photo by Ronald Pena R./EPA)

In this aerial view Haitian migrants queue to receive food at a shelter in Ciudad Acuna, Coahuila State, Mexico, on September 23, 2021. At least 50 police vehicles carrying more than a hundred agents are blocking the border crossing at the river that separates the Mexican city of Ciudad Acuña from the United States, AFP reported. (Photo by Pedro Pardo/AFP Photo)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)