In this photo taken on June 4, 2023, a man plunges into a river in Kishindeh district of Balkh province. (Photo by Wakil Kohsar/AFP Photo)

College students wearing traditional Punjabi attires celebrate the “Teej” festival in Amritsar on August 4, 2023. (Photo by Narinder Nanu/AFP Photo)

A man drives a modified boat “Jetcar” in the bay in Miami, Florida, on October 4, 2023. (Photo by Chandan Khanna/AFP Photo)

A woman with Kimono looks at cherry trees in bloom in Shinjuku Gyoen in Tokyo, Japan on Thursday, April 4, 2024. (Photo by Noriko Hayashi for The Washington Post)

Polish police in riot gear detain protesters, angry over new restrictions aimed at fighting the coronavirus pandemic, in Warsaw, Poland, Saturday, October 24, 2020. The protesters included entrepreneurs, far-right politicians, football fans and vaccine opponents. The clashes come amid rising social tensions and as new restrictions just short of a full lockdown took effect Saturday. (Photo by Czarek Sokolowski/AP Photo)

A Nubian ibex roams the streets during a national lockdown in Mitzpe Ramon, southern Israel, 22 January 2021. Although Israel is one of the first countries to have received vaccines and has so far vaccinated more then two million of its around nine million citizens, the rate of infection with the Sars-CoV-2 coronavirus, that causes the coronavirus disease (COVID-19), is rising drastically as Israel entered a full closure of two weeks. (Photo by Abir Sultan/EPA/EFE)

Supporters of Fernando Haddad react to a supporter (in yellow) of Jair Bolsonaro during a runoff election in Rio de Janeiro, Brazil on October 28, 2018. Bolsonaro, a brash far-right congressman who has waxed nostalgic for Brazil's old military dictatorship, won the presidency of Latin America's largest nation Sunday as voters looked past warnings that the former army captain would erode democracy and embraced a chance for radical change after years of turmoil. (Photo by Sergio Moraes/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.