Syrian artist Muhammad Ejleh has been spending his personal time while studying architectural design to work on his 3D drawings. Using only a sketchpad and pencils, the 20-year-old-student manages to make his characters and architecture pop out of the page.

Billy Zane and Jasmina Hdagha attend the world premiere of Titanic 3D at The Royal Albert Hall on March 27, 2012 in London, England. (Photo by Dave Hogan/Getty Images)

Anil Saxena from Mumbay, India creates amazing photo manipulations using Photoshop. These surreal photos will truly amaze you. Anil started out doing conventional darkroom photo composition and retouching them before moving these skills over to Photoshop. He is a true perfectionist: “If the image is a success but my work goes unnoticed, I’m doing my job well.” says Anil. I think we definitely should notice these works, because what he does is amazing!

A visitor poses with a 3D art work during a Japanese Trick Art exhibition at a shopping mall in Jakarta, Indonesia, Tuesday, December 4, 2012. (Photo by Dita Alangkara/AP Photo)

“The advent of digital cameras and smartphones killed the traditional mall portrait studio, but 3-D printing has sparked a new trend. Overloaded with digital photos, statues may be moving in to fulfill our desire for portraits that stand out”. – Peter Svensson via The Associated Press. (Photo by Julie Jacobson/AP Photo)

Fascinated by the texture and color of water artist Elizabeth Patterson challenged herself to recreate the absurdly complex formation of water droplets on rain-streaked windshields. Her ongoing series titled Rainscapes blends drawing, hyperrealism, and traditional landscape techniques resulting in images that can be seen as both real and abstract.

How to make the world a brighter using pen? You just have to complement conventional photographs persons toon, and immediately transformed the world. Aleks Nocny uses simple tools: pens, scraps of paper and your imagination. And the most simple pictures of people on the streets are transformed into a work of art.