Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

The November 2018 Square Print Sale, presented by Magnum Photos and Aperture, brings together over 100 images to explore perspectives on transition and transformation in photography. Here: New York City, 1965, by Joel Meyerowitz. “A girl on a Vespa on her way to who knows where, when the light stopped her at the 72nd street crossing near the Dakota, where John Lennon would one day cross paths with his fate. She takes this moment to finesse a fingernail before she resumes her downtown journey, while I, stopping at the same crossing, but on foot, leap into the street to capture this vision of a dream girl before time takes her on her way”. (Photo by Joel Meyerowitz/Courtesy Aperture)

New York City, 1974. (Photo by Elliott Erwitt/Harry Ransom Center Collection/Magnum Photos)

Afghanistan, published by Taschen later July, is a retrospective portfolio of the Magnum photographer Steve McCurry’s most striking images of the country, from 1979 to 2016. Here: Kunar province, 1980. Armed mujahideen carry animal skins to use as inflatable buoys to cross rapids. (Photo by Steve McCurry/Taschen/Magnum Photos/The Guardian)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)

“Shortly after he arrived, Van Agtmael witnessed the aftermath of this suicide bombing at a cafe that soldiers frequented in Mosul. Nine people died and 23 were wounded”. (Photo and caption by Van Agtmael/Harrison Jacobs/Magnum Photos)

Praia du Forte, Bahia. “This was the lead picture for a National Geographic story on Bahia, because it was both mysterious as well as a “geography” picture showing where the slaves arrived from Nigeria. Beach pictures seem like they should be easy to take, but for me they are actually quite difficult. Too easy to fall into cliche. When I saw the kid coming on the horse, I quickly ran to see if I could make something with a woman in a bikini that was not a bikini shot”. (Photo by David Alan Harvey/The Guardian)