“There Were Early Indications that Maxine was Not a Good Fit for the Surgical Team”. (Photo by Studio d'Xavier)

Harris & Ewing Inc. photographed people, events, and architecture, particularly in Washington, D.C., during the period 1905-1945. Photo: Tests of Curtiss Palne for Army, Single Control. Created by Harris & Ewing. Published in 1912.

Waura Indians wrestle during this year's “quarup”, a ritual held over several days to honour in death a person of great importance to them, in Xingu National Park, Mato Grosso State, Brazil August 25, 2013. (Photo by Ueslei Marcelino/Reuters)

Visitors walk past sculptures on display as part of the Sculpture by the Sea exhibition in Sydney on October 29, 2019. Sculpture by the Sea is the world's largest annual, free-to-the-public, outdoor sculpture exhibition. (Photo by Peter Parks/AFP Photo)

The comet Neowise, or C/2020 F3, is seen in the evening sky above the artwork titled: “Seven Magic Mountains” by artist Ugo Rondinone, Thursday, July 16, 2020, near Jean, Nev., south of Las Vegas. (Photo by John Locher/AP Photo)

A person takes a picture of the “Temple”, a 21-foot painted bronze sculpture from 2008, by British artist Damien Hirst, as the spread of the coronavirus disease (COVID-19) continues in the Alpine resort of St. Moritz, Switzerland February 25, 2021. (Photo by Arnd Wiegmann/Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)