“Secrets of the Whales”. Skerry’s photographs celebrate the lives and culture of whales, illuminating recent research and their diverse behaviours. His latest work focuses on four key species: sperm whales, humpbacks, orca and beluga whales. Humpback whales bubble-net feeding off the coast of Alaska. They work cooperatively to feed on herring by blowing a perfect ring of bubbles underwater to form a net encircling the fish. The whales then swim up through the centre of the bubble net with their mouths open. (Photo by Brian Skerry/National Geographic Photo/Visa pour l'Image)

A selection of work by four photojournalists who have won grants of $10,000 and editorial support from the agency. Here: “Chasing Winter” by Katie Orlinksy. In late summer and early autumn polar bears flock to the native village of Kaktovik in the Alaskan Arctic to eat at “the boneyard” – the remains of whales annually hunted by the community. (Photo by Katie Orlinsky/Getty Images)

Forgotten Guerrero. A female member of the community defence force holds her weapon. Since early 2019, the village has been attacked repeatedly by Los Ardillos cartel, prompting residents to take action. Rincón de Chautla, Guerrero, 10 June 2019. (Photo by Alfredo Bosco/Luz with the support of Le Figaro Magazine, Winner of the 2020 Humanitarian Visa d’or award, International Committee of the Red Cross/International Festival of Photojournalism 2020)

The 26th annual Visa Pour l’Image, the “Cannes Film Festival” of photojournalism kicks off, filling the French city of Perpignan with more than 3,000 of the world’s best photojournalists and photo editors, along with agencies from around the world. This year’s Visa Pour l’Image showcases 26 exhibitions around the city. Photo: Christians looting a Muslim shop in the “Combattants” district of Bangui. (Photo by Pierre Terdjman/Paris Match)

First Place, Sports Photojournalist Of The Year. One of 24 photos by Patrick Smith, freelance for Getty Images: Sadie Bezzant is crushed by a sheep during the pre-rodeo entertainment of mutton busting during the Strawberry Days Rodeo in Pleasant Grove, Utah. (Photo by Patrick Smith)

Jean-François Leroy launched Visa Pour l’Image, the international photojournalism festival, in Perpignan in 1989. Before heading up the festival, Leroy was shooting reportage for the agency Sipa Press and also working for Photo-Reporter, Le Photographe, Photo-Revue and Photo Magazine. He is the chairman of the company Images Evidence. Photo: 2008 Visa d'or Feature: Brent Stirton. Conservation Rangers from an Anti-Poaching unit work with locals to evacuate the bodies of four Mountain Gorrillas killed in mysterious circumstances in the park, July 24, 2007, Virunga National Park, Eastern Congo. (Photo by Brent Stirton/Exclusive by Getty Images)

The Enemy, 1944. With the outbreak of world war two, photojournalism was enlisted in defence of Mother Russia. In this photo by Anatoli Egorov, who was wounded in action, corporal Stepan Vasiljevich Ovcharenko shoots at enemy troops with a machine gun. (Photo by Anatoli Egorov/Lumiere Brothers Center for Photography)

Winner, photojournalism. Elephant in the room, by Adam Oswell, Australia Zoo. Visitors watch a young elephant performing underwater. Oswell was disturbed by this scene, and organisations concerned with the welfare of captive elephants say performances like this encourage unnatural behaviour. In Thailand, there are now more elephants in captivity than in the wild. With the Covid pandemic causing tourism to collapse, elephant sanctuaries are becoming overwhelmed with animals that can no longer be looked after by their owners. (Photo by Adam Oswell/Wildlife Photographer of the Year 2021)