The “Naked Cowboy” plays his guitar in Times Square on March 23, 2012 in New York City. A recent study found that the Times Square district contributes up to 10% of all jobs in the city and is responsible for approximately 11% of economic activity. (Photo by Andrew Burton/Getty Images)
Nightmare: New York”, staged in a Lower East Side building, depicts the ugliest, scariest vision of 1970s- and '80s-era Gotham. Subways are awash in graffiti, creeps and crime. Here: In this October 2, 2014 photo, an actor performs during “Nightmare: New York”, a haunted house attraction in New York. (Photo by Frank Franklin II/AP Photo)
A new book of photos by legendary photographer Weegee shows what industrialized, pre-gentrified New York looked like in the mid-20th century, before the city was crammed with towers and billboards. Here: this combination shows the 1945 photo “Derelict sleeping on the sidewalk outside police headquarters” by Weegee, provided by the International Center of Photography in New York, and a woman walking on the same spot on Wednesday, March 18, 2015. (Photo by AP Photo/Copyright Weegee/The International Center of Photography, Mark Lennihan)
A combination photograph shows revelers dressed in "Dia de Muertos" or "Day of the Dead" themes as they pose for photos while taking part in the Greenwich Village Halloween Parade in the Manhattan borough of New York October 31, 2015. (Photo by Carlo Allegri/Reuters)
In this Saturday, March 3, 2018, photo, a contestant gets ready to throw a hatchet at a wooden bull's-eye at the Kick Axe Throwing venue in the Brooklyn borough of New York. Kick Axe Throwing is the first bar in New York City to pick up on a nationwide trend of ax throwing, a growing sport that some enthusiasts hope will take off the way bowling did in the last century. (Photo by Mary Altaffer/AP Photo)
Using digital editing, designer Anton Repponen places Manhattan buildings in desolate landscapes, “inviting viewers to see them as if for the first time”. Here: 8 Spruce Street/New York By Gehry. Photo by Anton Repponen/The Guardian)