Studio shot of the new Red Bull Racing RB8 Formula One car is released on February 6, 2012 in Milton Keynes, England. (Photo by Red Bull Racing/Getty Images)

Mark Wagner, the collage artist, challenges viewers to examine their relationship with money and the capitalist society in which we live. Photo: “Way of the Dinosaur”, cut one-dollar bills. (Photo by Mark Wagner)

A woman places her fingers into the crucifix-shaped holes in one of the ancient columns in the Church of the Nativity on December 22, 2011 in Bethlehem, West Bank. (Photo by Uriel Sinai/Getty Images)

Snails are displayed to be sold on the side of a highway, in Sousse, Tunisia, March 27, 2025. (Photo by Ons Abid/AP Photo)

Models pose backstage at the Celia Kritharioti Spring/Summer 2012 fashion show at One Mayfair on March 20, 2012 in London, England. (Photo by Ian Gavan/Getty Images For Celia Kritharioti)

An F/A-18 Hornet assigned to Strike Fighter Squadron One Five One (VFA-151) emerges from a cloud created when it broke the sound barrier in the skies over the Pacific Ocean, July 7, 1999. (Photo by John Gay/US Navy)

The Forth Bridge is engulfed by mist on one of the coldest days of the year, on December 12, 2022, in Edinburgh, Scotland. (Photo by Ken Jack/Getty Images)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.