A woman holds an iguana perched on her head at a gathering of a reptile club during a car-free day in central Jakarta, Indonesia February 5, 2017. (Photo by Darren Whiteside/Reuters)

Members of Team Italy are seen underwater as they perform in the synchronised swimming team free routine preliminary at the Aquatics World Championships in Kazan, Russia July 28, 2015. (Photo by Michael Dalder/Reuters)

Topless activist Kaila J. walks through the rain following a “Free the Nipple” demonstration in Hampton Beach, New Hampshire August 23, 2015. (Photo by Brian Snyder/Reuters)

A little girl rubs her tired eyes during the first day at the lyceum named after Moldovan writer Gheorghe Asachi in Chisinau on September 2, 2024. (Photo by Dumitru Doru/Radio Free Europe/Radio Liberty)

Wrestler Kairi Hojo jumps at her opponent Mieko satomura during their Stardom female professional wrestling show at Korakuen Hall in Tokyo, Japan, July 26, 2015. Professional women's wrestling in Japan means body slams, sweat, and garish costumes. But Japanese rules on hierarchy also come into play, with a culture of deference to veteran fighters. The brutal reality of the ring is masked by a strong fantasy element that feeds its popularity with fans, most of them men. (Photo by Thomas Peter/Reuters)

In this photo taken on August 26, 2017, a contestant of the “fantasy” category prepares to be judged during the Daegu International Bodypainting Festival in Daegu, South Korea. The bodies of dozens of female models turned into living canvases this weekend as they allowed delicate brush strokes and flamboyant illustrations to cover up their bare skin. They are part of the 2017 Daegu International Bodypainting Festival along with top artists from 10 countries that runs until August 27 in South Korea's southeastern city of Daegu. (Photo by Ed Jones/AFP Photo)

US Vogue’s top fashion editor works with photographers to inject style with sci-fi and fantasy. A new book, “Stoppers: Photographs from My Life at Vogue” by Phyllis Posnick and Vogue’s chief editor, Anna Wintour, highlights the results. Here: Surburban Woman #10, Mountainville, New York, August 2006. (Photo by Steven Klein)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.