Crowds look on as Xolo the Giant Dog, one of the giant Royal De Luxe street puppets taking part in Liverpool's World War I centenary commemorations, walks through the streets of Liverpool on July 25, 2014 in Liverpool, England. French street theatre company Royal de Luxe are putting on a show throughout the city as part of Liverpool's World War I centenary commemorations from July 23-27. The giant puppet grandmother has slept in the hall for two days as part of “Memories of August 1914”. As the giants tour the city the Little Girl Giant and her dog Xolo will meet up with the giant Grandmother telling the story of life leading up to World War One. (Photo by Christopher Furlong/Getty Images)

A teenage girl from the Santa Marta favela slum puts on a pair of high heels for a group debutante ball organized by the Pacifying Police Unit from her neighborhood in Rio de Janeiro, Brazil, Friday, August 29, 2014. The ball, which relied on volunteers who coiffed and made up the girls and a formal wear shop that loaned the dresses, helped build goodwill between pacified favelas' residents and the officers who patrol them. (Photo by Silvia Izquierdo/AP Photo via The Palm Beach Post)

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

A christmas teddy bear is wheeled along on a trolley at the Steiff stuffed toy factory on November 23, 2012 in Giengen an der Brenz, Germany. Founded by seamstress Margarethe Steiff in 1880, Steiff has been making stuffed teddy bears since the early 20th century ever since her nephew Richard Steiff exhibited the first commercially produced teddy bear in Europe in 1903. Teddy bears are among the most popular children's toys and the company is hoping for a strong Christmas season. (Photo by Thomas Niedermueller)

Dancers Amy Hadley and Bethany Kingsley-Garner from the Scottish Ballet wait backstage during the dress rehearsal of the current production of “Sleeping Beauty” at the Theatre Royal on December 16, 2011 in Glasgow, Scotland. (Photo by Jeff J Mitchell/Getty Images)

A masked reveller poses along the flooded St. Mark's Square during a period of seasonal high water and on the first day of carnival, in Venice February 1, 2015. (Photo by Stefano Rellandini/Reuters)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.