A Palestinian man argues with an Israeli soldier during clashes over an Israeli order to shut down a Palestinian school near Nablus, in the occupied West Bank, October 15, 2018. (Photo by Mohamad Torokman/Reuters)

Melissa Foley clears debris and helps in her neighborhood as the San Lorenzo River rises with emergency evacuation orders in Felton Grove, California, U.S., January 14, 2023. (Photo by David Swanson/Reuters)

A demonstrator wearing a face mask reading “Who gave the order?” looks on during a protest to mark the International Day for the Elimination of Violence against Women, in Bogota, Colombia on November 25, 2020. (Photo by Luisa Gonzalez/Reuters)

Some of London's telephone operators and engineers, trying out their gas masks at the anti-gas civilian training centre in Gloucester, where they were taught how to deal with gas attacks. (Photo by Harry Todd/Fox Photos/Getty Images). 13th February 1937

In this January 11, 2017 photo, Erika Martins uses black electrical tape to create a customer's bikini, in order to attain crisp tan lines, on her rooftop Erika Bronze salon in the suburb of Realengo in Rio de Janeiro, Brazil. Martins wears a microphone connected to an open speaker system in order to direct her assistants to clients who need more tanning lotion or a sprinkling of water on their skin. (Photo by Renata Brito/AP Photo)

Tanbo Art is the strategic planting of four varieties of rice which have different colored leaves in order to create a giant image in the rice paddy. This type of aesthetic planting began in the Japanese village of Inakadate in 1993 in order to celebrate the village’s over 2000 year history of rice farming. The practice has spread to other rice cultivating communities in Japan and even other countries such as Thailand and South Korea.

Children hold signs thanking truck drivers hauling rocks to the Lake Oroville Dam after an evacuation was ordered for communities downstream from the dam in Oroville, California, U.S. February 13, 2017. (Photo by Jim Urquhart/Reuters)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)