Olive Ridley turtle hatchlings (Lepidochelys olivacea) sit in baskets and trays at the turtle camp La Gloria, before their release into the ocean in Tomatlan November 15, 2013. Twenty years ago, Mexico's government implemented ecological plans to protect the sea turtles from being hunted for their leather and meat and established conservation areas and a pay system for local residents to protect turtle nests. Millions of baby turtles hatch on the shores in November and December, according to an environmental group. It is estimated that in 2012, there were 20 million newborns. Hatching season is still underway, but officials say they expect there will be even more turtles born this year. (Photo by Alejandro Acosta/Reuters)

An angler fishes on the opening day of the salmon fishing season on the River Tay at Kenmore in Scotland, Britain January 16, 2017. (Photo by Russell Cheyne/Reuters)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

Visitors walk past the fully equipped dining table inside the “Crazy House”, which is completely built upside-down, in the village of Affoldern near the Edersee lake, May 7, 2014. Three friends came up with the idea to build the tourist attraction, which cost about 200,000 euros and took some six weeks to complete. (Photo by Kai Pfaffenbach/Reuters)

Actress with the Donbass Opera Theatre prepares to perform Eugene Onegin in Donetsk, Ukraine, Saturday, February 7, 2015. For the few dozen spectators that turn up, the weekly performances at the city's opera house serve as a respite from the war raging outside between Russian-backed separatists and Ukrainian government forces. (Photo by Petr David Josek/AP Photo)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.