A street entertainer waits for tourists in Havana, Cuba on October 2009. (Photo by Desmond Boylan/Reuters)

A volunteer puts a banknote on remains for luck during a mass exhumation at Poh Teck Tung Foundation Cemetery in Samut Sakhon province, Thailand November 3, 2015. Human remains from 3,890 unclaimed bodies have been dug out of graves to be cleaned and put into storage in a warehouse before being cremated, in order to make room for further unidentified corpses. (Photo by Athit Perawongmetha/Reuters)

Ethnic Miao men wearing traditional masks smear dust on a woman's face to wish her good luck during local celebration event for Lunar New Year in Liuzhou, Guangxi Zhuang Autonomous Region, China, February 16, 2016. (Photo by Reuters/Stringer)

Men carrying a shrine jump over a bon fire, which means a wish for good luck during a traditional Chinese lunar new year celebration in Jieyang, Guangdong province, China, February 2, 2017. (Photo by Reuters/China Daily)

Tibetan men get ready to perform a traditional dance during a special prayer ceremony on the third day of the Tibetan New Year celebrations in Kathmandu, Nepal, Wednesday, March 1, 2017. Tibetans follow this ritual called “sangtsol” to ask for good luck in the new year. (Photo by Niranjan Shrestha/AP Photo)

A woman in costume of the Prosperity and Wealth God wears a protective face mask at a gold shop in Hanoi, Vietnam, Monday, February 3, 2020. It is a tradition for many Vietnamese to buy gold on the tenth day of the lunar new year – the day of Prosperity and Wealth God, for good luck. (Photo by Hau Dinh/AP Photo)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.