A person eats an early Thanksgiving meal served to the homeless at the Los Angeles Mission in Los Angeles, California, November 25, 2015. (Photo by Mario Anzuoni/Reuters)

A topless climate activist Laura Amherst, 31, from Extinction Rebellion protests in Soho, London, United Kingdom on August 25, 2021. The event is part of the “Impossible Rebellion” protest to “target the root cause of the climate and ecological crisis” and are ongoing for two weeks until the Government agrees to stop all new fossil fuel investments. (Photo by Stephen Chung/Alamy Live News)

A five meters high sculpture “Pentateuque” created by Contemporary French artist Fabien Merelle, is displayed in Central, business district of Hong Kong, Tuesday, May 21, 2013. The artwork brings to real life the fantastical and seemingly impossible act of an average man balancing a gigantic elephant. The elephant and the man are modeled on one at the Singapore Zoo and on the artist himself. (Photo by Kin Cheung/AP Photo)

The rusty emblem of the Soviet Union is seen over the ghost town of Pripyat close to the Chernobyl nuclear plant, Ukraine, Thursday, April 15, 2021. The vast and empty Chernobyl Exclusion Zone around the site of the world’s worst nuclear accident is a baleful monument to human mistakes. Yet 35 years after a power plant reactor exploded, Ukrainians also look to it for inspiration, solace and income. (Photo by Efrem Lukatsky/AP Photo)

In this photo taken on Friday, March 15, 2013, members of a pro-Kremlin youth group attack pushers of spice, a synthetic drug, in Moscow, Russia. Russian officials and anti-drugs campaigners say that spice has become one of the most dangerous drugs widely available to youngsters and almost impossible to ban because of the constantly changing chemical ingredients. (Photo by Alexander Zemlianichenko Jr/AP Photo)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.