A person dressed as a zombie walks during the annual Zombie Walk in Mexico City, Mexico on October 21, 2023. (Photo by Quetzalli Nicte-Ha/Reuters)

American television personality Dolores Catania in the first decade of February 2024 gets the “hot gossip” in a staged photo. (Photo by dolorescatania/Instagram)

Prints of R$ 50 Brazilian reais bills sit on a table for inspection at at the Casa da Moeda, the national mint, in the Santa Cruz suburb of Rio de Janeiro, Brazil, on Tuesday, March 5, 2013. Brazil is likely to keep its key interest rate at a record low for the third straight meeting, as policy makers are caught between a fragile economic recovery and faster-than-expected inflation. (Photo by Dado Galdieri/Bloomberg)

A vendor (C) serves customers at a vegetable market as a commuter train passes in Jakarta October 2, 2015. Indonesia's high annual inflation rate cooled in September and should drop more by year-end, but it likely will be 2016 before the central bank can cut interest rates to help an economy growing at its slowest pace in six years. (Photo by Reuters/Beawiharta)

A view of the world's highest 280-meter bungee jumping platform opened at the Milad Tower, a landmark in the Iranian capital Tehran, on September 11, 2024. The world's highest bungee jumping platform attracts great interest among the younger generation in Iran, especially women. Those who jump from the platform experience an unforgettable adventure with the thrill of soaring down from a height of 280 meters while watching the view of Tehran from above. (Photo by Fatemeh Bahrami/Anadolu via Getty Images)

A person walks their dog in the morning mist at sunrise in Greenwich Park in south London on November 9, 2020. (Photo by Daniel Leal-Olivas/AFP Photo)

American television personality Paige Desorbo on June 26, 2025 channels her inner disco ball in a glittery snap. (Photo by paigedesorbo/Instagram)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)