Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)

Eryn, owned by Tom Chudleigh in Canada. New global research has revealed that ‘shed-scapism’ is sweeping the world with more people than ever ditching their tools and transforming their sheds into zen dens. The research comes as the Cuprinol Shed of the Year competition joins forces with aspirational shed fan site, Cabin p*rn, to launch the first ever global category. We have a stunning suite of imagery of 9 sheds from across the world - from Norway to Slovenia, British Colombia to Colorado who have all submitted their sheds in the hopes of being crowned the first ever Global Shed of the Year. (Photo by Cuprinol/Rex Features/Shutterstock)

An Sony PS3 is used to view Netflix during the Netflix UK launch in London, England on January 9, 2012. Netflix the leading global internet subscription service for films and TV programmes, launches in the United Kingdom and Ireland, offering instant and unlimited access to a broad range of entertainment for the low monthly price of £5.99 in the UK and £6.99 in Ireland. (Photo by Gareth Cattermole/Getty Images for Netflix)

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

A masked reveller poses along the flooded St. Mark's Square during a period of seasonal high water and on the first day of carnival, in Venice February 1, 2015. (Photo by Stefano Rellandini/Reuters)

Dancers Amy Hadley and Bethany Kingsley-Garner from the Scottish Ballet wait backstage during the dress rehearsal of the current production of “Sleeping Beauty” at the Theatre Royal on December 16, 2011 in Glasgow, Scotland. (Photo by Jeff J Mitchell/Getty Images)

A christmas teddy bear is wheeled along on a trolley at the Steiff stuffed toy factory on November 23, 2012 in Giengen an der Brenz, Germany. Founded by seamstress Margarethe Steiff in 1880, Steiff has been making stuffed teddy bears since the early 20th century ever since her nephew Richard Steiff exhibited the first commercially produced teddy bear in Europe in 1903. Teddy bears are among the most popular children's toys and the company is hoping for a strong Christmas season. (Photo by Thomas Niedermueller)