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Museum employee Victoria views a giant grouper fish specimen at the Natural History Museum in west London March 25, 2015. (Photo by Toby Melville/Reuters)

Museum employee Victoria views a giant grouper fish specimen at the Natural History Museum in west London March 25, 2015. It forms part of a new exhibition, “Coral Reefs: Secret Cities of the Sea”, featuring a panoramic virtual dive and over 250 specimens from the Museum's coral, fish and marine invertebrate collection, which opens on March 27. (Photo by Toby Melville/Reuters)
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26 Mar 2015 11:38:00
An Afghan girl carries water on her back as she climbs a hill in Kabul, Afghanistan February 20, 2017. (Photo by Omar Sobhani/Reuters)

An Afghan girl carries water on her back as she climbs a hill in Kabul, Afghanistan February 20, 2017. A growing population is straining water supplies in Afghanistan's capital, forcing those who can afford it to dig unregulated wells ever deeper to tap a falling water table. Finding water in arid Afghanistan is virtually always a challenge, but a drop in the groundwater level in Kabul caused by overuse and drought is making it even more difficult for residents, especially the poor. (Photo by Omar Sobhani/Reuters)
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02 Mar 2017 00:05:00
Assassin’s Creed By Damien

Assassin’s Creed is a game that is set in the past with the main character’s subconsciousness traveling through the fabric of time to acquire hidden knowledge. The level designers of Assassin’s Creed Unity have meticulously recreated the streets of 1789 Paris to allow the users to become completely engulfed by the atmosphere of this proud and ancient city. Each year, games are becoming more and more realistic, and soon the line between movie footage and computer generated world will completely blur. This is both scary and exciting prospect, yet there is no doubt that someday, virtual world will be indistinguishable from the real one. To illustrate this, Damien Hypolite has taken a series of photos which compare scenes from Assassin’s Creed to the real placed in modern Paris. (Photo by Damien)
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15 Dec 2014 11:03:00
Local villagers fall onto the ground from an ox-cart as they ride to rid evil spirits from their village at Pring Ka-ek village, Cambodi. (Photo by Heng Sinith/AP Photo)

Local villagers fall onto the ground from an ox-cart as they ride to rid evil spirits from their village at Pring Ka-ek village, Cambodi. (Photo by Heng Sinith/AP Photo)
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30 Mar 2014 08:57:00
An installation with a copy of a tank is seen at a villager's house in the village of Vits, Belarus November 8, 2016. (Photo by Vasily Fedosenko/Reuters)

An installation with a copy of a tank is seen at a villager's house in the village of Vits, Belarus November 8, 2016. (Photo by Vasily Fedosenko/Reuters)
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09 Nov 2016 06:32:00
A villager carries wood while a blackbuck runs on a field near Bhetnoi village in Ganjam District, in the Indian eastearn state of Odisha on May 20, 2018. Villagers of Ganjam district due to their traditional religious belief consider blackbucks as incarnations of Lord Vishnu and harbingers of rain. (Photo by Asit Kumar/AFP Photo)

A villager carries wood while a blackbuck runs on a field near Bhetnoi village in Ganjam District, in the Indian eastearn state of Odisha on May 20, 2018. Villagers of Ganjam district due to their traditional religious belief consider blackbucks as incarnations of Lord Vishnu and harbingers of rain. (Photo by Asit Kumar/AFP Photo)
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22 May 2018 00:03:00
The mudmen come from the country’s western highlands, where there are virtually no roads, cars, electricity or shops. (Photo by Jeremy Hunter/Exclusivepix Media)

For centuries the Highlands peoples of Papua New Guinea fought over land, women and pigs. Sorcery and battle skills could elevate a clan to Bigmanship, where the bigger the “presentation”, the bigger the man. Clans therefore would paint their bodies and create fearsome masks as part of their psy. Here: These are the terrifying tribe of “mudmen” from a remote part of Papua New Guinea. (Photo by Jeremy Hunter/Exclusivepix Media)
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08 May 2017 08:12:00
Happy dog (..?) – Pannonian spring fantasy

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)
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17 Aug 2012 10:17:00