A worker looks on with his camel as he waits for tourists at the Giza Pyramids on the outskirts of Cairo, Egypt, November 8, 2015. Egypt's Tourism Minister Hesham Zaazou said Cairo regretted the suspension of flights and was doing all it could to secure its airports and tourist sites, adding that he would fly to Sharm al-Sheikh to oversee measures to support tourists there. (Photo by Amr Abdallah Dalsh/Reuters)

Angler Thomas Rielly catches a fish during the opening of the salmon fishing season on the River Tay January 16, 2012 in Kenmore, Scotland. A procession with a pipe band and anglers made its way through Kenmore at the east end of Loch Tay to mark the start of the 2012 salmon season on the River Tay. (Photo by Jeff J. Mitchell/Getty Images)

In this photograph taken on July 7, 2018, an Indian Buddhist monk plays with the wind amongst prayer flags on a hill overlooking Tnagyud Gompa monastery in Komik in Spiti Valley in the northern state of Himachal Pradesh. (Photo by Xavier Galiana/AFP Photo)

Route engineer Richard Winter stands in front of a pile of road salt at the Birchanger Depot on November 8, 2011 near Bishop's Stortford, England. (Photo by Peter Macdiarmid/Getty Images)

A zoo curator using a kayak tries to catch a pelican in order to move him into its winter enclosure at the zoo in Liberec, Czech Republic, Tuesday, November 16, 2021. (Photo by Petr David Josek/AP Photo)

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Austrian alpine skiers (LtoR) Georg Streitberger, Klaus Kroell, Max Franz, Joachim Puchner, Romed Baumann pose in the Olympic Rings on February 4, 2014 at the Mountain Olympic Village at the Rosa Khutor Alpine centre, four days prior to the start of the 2014 Sochi Winter Olympic Games. (Photo by Fabrice Coffrini/AFP Photo)