Tiharu Ram, 70, a follower of Ramnami Samaj, who has tattooed the name of the Hindu god Ram on his face, poses for a picture outside his house in the village of Chandlidi, in the eastern state of Chhattisgarh, India, November 16, 2015. Denied entry to temples and forced to use separate wells, low-caste Hindus in the eastern state of Chhattisgarh first tattooed their bodies and faces more than 100 years ago as an act of defiance and devotion. (Photo by Adnan Abidi/Reuters)

A Vietnamese artist acting as a medium, performs the “Hau Dong” ritual at Viet Theatre in Hanoi January 16, 2016. For the first time, Vietnamese drama director Viet Tu has brought the ritual from religious temples to the theatre partly to draw tourists. The “Hau Dong” is a ritual where a medium puts on special costumes and tells stories of gods and heroes while being accompanied by “Chau Van” music, as part of the act of Dao Mau – the worship of mother goddesses in Vietnam. It is believed that the medium is capable of having a direct contact with spirits during the ritual. (Photo by Reuters/Kham)

A pair of tigers soak in a shallow pool at Tiger Temple, a Buddhist monastery where paying visitors can interact with young adult tigers, in Kanchanaburi, Thailand, March 16, 2016. The attraction, near the Myanmar border, started collecting the animals 15 years ago when villagers brought an injured tiger cub to the local abbot, who agreed to care for it. Today there are nearly 150 tigers at the monastery. (Photo by Amanda Mustard/The New York Times)

A Rohingya migrant who arrived in Indonesia by boat cries while speaking on a mobile phone with a relative in Malaysia, at a temporary shelter in Kuala Langsa in Indonesia's Aceh Province May 16, 2015. Nearly 800 migrants were brought ashore in Indonesia on Friday, but other vessels crammed with them were sent back to sea despite a United Nations call to rescue thousands adrift in Southeast Asian waters with dwindling food and water. Thousands of Rohingya Muslims fleeing Myanmar and Bangladesh are stranded on boats as regional governments block them from landing. (Photo by Roni Bintang/Reuters)

An Israeli tank moves into position in the Israeli controlled Golan Heights during fighting between forces loyal to Syrian President Bashar Assad and rebels in the Druze village of Khader in Syria, Tuesday, June 16, 2015. As many as 20 members of the Druze minority sect were killed last week, the deadliest violence against the Druze since Syria's conflict started in March 2011, sparking fears of a massacre against the sect. (AP Photo/Ariel Schalit)

Russia-backed separatists stand at the site of the crashed Malaysia Airlines Flight 17 plane, near the village of Hrabove, eastern Ukraine, Thursday, July 16, 2015. The fighters said they have arrived to protect the media and make sure the MH17 crash site is clear of ammunition and mines. A year since a Malaysia Airlines Boeing 777 was blown out of the sky over war-ravaged eastern Ukraine, killing 298 people, there has been little official word of progress in determining what brought down Flight MH17. (Photo by Antoine E. R. Delaunay/AP Photo)

Gisele Marie, a Muslim woman and professional heavy metal musician, plays her Gibson Flying V electric guitar during a concert in Sao Paulo December 16, 2014. Based in Sao Paulo, Marie, 42, is the granddaughter of German Catholics, and converted to Islam several months after her father passed away in 2009. Marie, who wears the Burka, has been fronting her brothers' heavy metal band “Spectrus” since 2012. (Photo by Nacho Doce/Reuters)

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)