Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

These beautiful photos capture the tender moments between two young boys who share a unique bond with animals. Elena Shumilova, from Andreapol, Russia, began taking pictures of her sons Yaroslav and Vanya in early 2012 when she received her first professional camera. The pair were immediately accepted by the animals from a young age and their incredible bond continues to strengthen as they get older. Elena, 32, was able to capture images her boys playing with such animals as rabbits, dogs, cats and ducks as they become totally immersed in their communication with their furry friends. (Photo by Elena Shumilova)

Slick Glamour – Capturing a slicked up Herieth Paul and Jeneil Williams, photographer Daniel Sannwald (Management Artists) offers this high gloss vision for an Yves Saint Laurent feature published in Pop’s fall-winter edition. Styled in lingerie looks by fashion editor Tamara Rothstein, the beauties wow in jewel toned eyeshadow courtesy of makeup artist Frankie Boyd and wavy coifs by hair stylist Laurent Philippon. (Photo by Daniel Sannwald)

Clay Lipsky has created a great series called Atomic Overlook. The project takes terribly boring scenic shots and combines them with some exciting nuclear testing. “Tourists will line up for anything and I always found humor in vacation destinations that are nothing but a bunch of people looking into a great abyss”, he says. “I understand the allure of a beautiful landscape, but as the world’s population grows so do the lines to view the “nothingness”. Atomic Overlook flips the script on that and gives new purpose to those suntanned masses”. (Photo by Clay Lipsky)

The beautiful shots were taken by photographer Amos Chapple using a camera mounted to a quadcopter drone. This enabled him to capture these unusual aerials showing some of Europe’s sights like they’ve never been seen before. Travelling across the continent he took photos everywhere from France and Germany to Spain and Russia. Photo: Clouds swirl through the pillars of Sagrat Cor Church, high on a hill above Barcelona, Spain. (Photo by Amos Chapple/Rex Features)

Campari has officially unveiled the full imagery for the 2015 Calendar, entitled “Mythology Mixology”. This year’s iconic calendar, which stars the beautiful French born actress Eva Green, is the 16th edition in the collection and is dedicated to celebrating Campari’s unique and intriguing history and the intrinsic stories linked to twelve of its best-loved classic cocktails. Here: Eva Green poses for the month of July. (Photo by Julia Fullerton-Batten/Campari Calendar 2015)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.