A Mexican soldier burns coca plants in the mountainous area of Atoyac de Alvarez, Guerrero state, Mexico, on February 15, 2023. (Photo by Francisco Robles/AFP Photo)

A woman poses with her twins before the Igboora World Twins Festival 2024, in Igbo-Ora on October 12, 2024. (Photo by Olympia de Maismont/AFP Photo)

Yaroslava Mahuchikh of Ukraine in action during the High Jump in the Meeting de Paris, part of the 2025 Diamond League at Stade Charlety on June 20, 2025 in Paris, France. (Photo by Gonzalo Fuentes/Reuters)

A member of the “Morenada Los Cocanis” group dances during the Carnival parade in Oruro February 14, 2015. Thousands of dancers and tourists attend the carnival celebrations in Oruro, south of La Paz. (Photo by David Mercado/Reuters)

Co-Host Kristin Chenoweth speaks onstage at the American Country Awards 2011 at the MGM Grand Garden Arena on December 5, 2011 in Las Vegas, Nevada. (Photo by Ethan Miller/Getty Images)

A woman is helped with adorning her hair with jewelry, part of the traditional clothing known as “Pollera”, before the annual Thousand Polleras parade in Las Tablas, in the province of Los Santos January 10, 2015. According to local residents, the Pollera dates back to the 18th century and was worn by the Spanish lower classes. Today, it has become the Panamanian national costume. The dress is made entirely by hand and the jewellery worn is pure gold and worth thousands of dollars. (Photo by Carlos Jasso/Reuters)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)