A “creuseur”, or digger, a plastic lantern on his head, readies to enter a copper and cobalt mine in Kawama, Democratic Republic of Congo on June 8, 2016. Cobalt is used in the batteries for electric cars and mobile phones. Working conditions are dangerous, often with no safety equipment or structural support for the tunnels. The diggers say they are paid on average US$2-3/day. (Photo by Michael Robinson Chavez/The Washington Post)

Shi'ite fighters launch a rocket during clashes with Islamic State militants on the outskirts of al-Alam March 8, 2015. Thaier Al-Sudani: “It was me and a few other Iraqi journalists working for local outlets. We went to the frontlines in coordination with the Iraqi government forces and supporting militias. The press officer would come in the morning and take us to the frontline in a convoy. Whenever an area was won from Islamic State, the fighters would chant and pray and show victory signs. Most of the areas we were in didn't have residents, so after the battle they would resemble ghost towns; nothing but burnt cars and charred bodies of Islamic State fighters. Al-Alam was an exception as it had some residents who chanted for the government forces after their victory”. (Photo by Thaier Al-Sudani/Reuters)

Team Strong Silvers member Ngai Hin Kwok, 66, works out as teammate Ng Siu Chi, 57, watches at a stadium in Singapore March 15, 2015. Team Strong Silvers, is a group of senior citizens who train in calisthenics. The trio trains individually at least three times a week, and meets up for joint calisthenics at least twice a month. (Photo by Edgar Su/Reuters)

The carriages have decayed over time, on February 27, 2015, in Purwakarta, Indonesia. Dozens of trains are stacked on top of each other in what looks like a post-apocalyptic world. The old electric trains that travelled in and out of Jakarta, Indonesia, are weathered and decayed over time. The trains were used everyday since the 1980s and carried thousands of people to work. Now the carriages, which were once the lifeblood of public transport in the south-Asian city, have been left to rust among shrubbery. (Photo by HKV/Barcroft Media)

"Temptation", part of an installation from the artist-duo David Burns and Austin Young, appears among the works of 30 artists in the multimedia exhibition "The Value of Food: Sustaining a Green Planet" at the Cathedral of St. John the Divine, Wednesday, October 7, 2015, in New York. The exhibition, installed in the cathedral's seven chapels and 14 bays, explores food accessibility, sustainability and other food-related issues and runs through April 3, 2016. (Photo by Bebeto Matthews/AP Photo)

Some of the most powerful narratives of the past decade have been produced by a forward-thinking generation of women photojournalists as different as the places and the subjects they have covered. National Geographic's “Women of Vision” exhibit features the work of 11 photographers and is on display at the Fernbank Museum of Natural History in Atlanta until January 3, 2016. Here: Nujood Ali stunned the world in 2008 by obtaining a divorce at age 10 in Yemen, striking a blow against forced marriage. (Photo by Stephanie Sinclair/National Geographic)

The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)

Marieke van der Meer from the Netherlands works on her sculpture “Flora” at the sand sculpture show in Binz on Ruegen island, Germany, 09 March 2016. With the motto “Fascination Nature”, 50 sand artists have created oversized sculptures. The sculptors use 16,000 tons of special sand that is pressed into big blocks first and then formed. The 7th sand sculpture show on 5,600 square meters of exhibition ground opens on 12 March 2016. (Photo by Ens Buettner/EPA)