Macaque monkeys crowd together in their cage at a monkey farm on February 3, 2016 in Xinye county, Henan province, China. The area boasts a centuries-long and lucrative history of raising and training monkeys for performance. In Xinye, villagers are seeing an increase in business with the lunar calendar's “Year of the Monkey”. Farmers say most of the monkeys are bred and raised for domestic zoos, circuses, and performing groups, but add that some are also sold for medical research in China and the United States. Despite the popularity of the tradition, critics contend the training methods and conditions constitute animal cruelty. (Photo by Kevin Frayer/Getty Images)

Women labourers work at the construction site of a road in Kolkata January 8, 2015. Across towns and cities in India, it is not uncommon to see women cleaning building sites, carrying bricks and or shoveling gravel – helping construct the infrastructure necessary for the country's economic and social development. They help build roads, railway tracks, airports, and offices. They lay pipes for clean water supplies, cables for telecommunications, and dig the drains for sewage systems. But although women make up at least 20 percent of India's 40 million construction workers, they are less recognized than male workers with lower pay and often prone to safety hazards and sexual harassment. They are often unaware of their rights or scared to complain, say activists now trying to campaign for better treatment of women in the construction industry. (Photo by Rupak De Chowdhuri/Reuters)

A student of the Sri Lankan ancient martial art “Angampora” performs during a practice session at the angam maduwa or fighting field, in Korathota, a suburb of Colombo, Sri Lanka, 07 September 2022. Sri Lanka's ancient martial art, Angampora, is thought to be thousands of years old. Anga translates to “body parts” and Angampora is a fighting art that uses body parts. Martial arts practitioners in Angampora were mostly in the king's service, and they were tasked with protecting the king and his kingdom. Angampora was practiced in secret for most centuries because the British, who colonized Sri Lanka, banned it in 1818 after seeing it as a threat. (Photo by Chamila Karunarathne/EPA/EFE)

A boy sits on the back of a crocodile on May 19, 2018 at a pond in Bazoule in Burkina Faso, a village which happily shares its local pond with “sacred” crocodiles. Crocodiles may be one of the deadliest hunters in the animal kingdom, but in a small village in Burkina Faso it is not unusual to see someone sitting atop one of the fearsome reptiles. According to local legend, the startling relationship with the predators dates back to at least the 15 th century. The village was in the grip of an agonising drought until the crocodiles led women to a hidden pond where the population could slake their thirst. (Photo by Olympia de Maismont/AFP Photo)

An artist takes part in the festival “Statues en Marche” in Marche-en-Famenne, Belgium, July 20, 2019. Living statues are a common sight in many city centers, but it is rare to see such a diverse range of this peculiar form of street art for which performers must keep still for painfully long periods of time to create the desired illusion. (Photo by Yves Herman/Reuters)

Though we have “In God we trust” written on our banknotes, we didn’t go as far as putting Jesus on them. Martin Joubert, however, decided to correct this injustice and placed the face of Jesus on one of his 100 dollar designs. Though some may view it as sacrilege, Jesus surely wouldn’t mind seeing his face on the banknote of one of the most pious nations in the world. In our opinion, however, the monopoly man is the most appropriate substitute for the Ben Franklin. (Photo by Martin Joubert)

Buddhist monks walk past a statue of comic character the Hulk at Tamru temple in Samut Prakan province, Thailand, March 3, 2016. It’s a sign of changing times for Buddhism in Thailand when one sees temples, including Wat Tam Ru, using U.S. comic superheroes to attract children and teenagers into the religion. (Photo by Chaiwat Subprasom/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)