A Syrian rebel walks past Sham 2, a homemade armored vehicle, in Bishqatin, Syria, on December 8, 2012. From a distance it looks rather like a big rusty metal box but closer inspection reveals a homemade armored vehicle waiting to be deployed. Sham II, named after ancient Syria, is built from the chassis of a car and touted by rebels as “100 percent made in Syria”. (Photo by Herve Bar/AFP Photo)

A tourist stands on the shore of a private beach in Naama Bay, Sharm el-Sheikh, south Sinai, Egypt, Sunday, November 8, 2015. Britain's foreign secretary says airport security in many cities will need to be overhauled if it is confirmed the Russian plane crash in the Sinai was caused by a bomb planted by the Islamic State group or someone inspired by the militants. (Photo by Vinciane Jacquet/AP Photo)

Christmas baubles shaped as Santa Clauses wearing protective masks are pictured amid the coronavirus disease (COVID-19) pandemic in Eichenau, Germany, November 26, 2021. (Photo by Michaela Rehle/Reuters)

People take part in the “The Burial of the Sardine” funeral procession, which marks the end of carnival festivities, in Madrid, Spain, February 10, 2016. “Mourners” carry a coffin with a mock sardine through the streets to celebrate the countdown to Lent. Spanish painter Francisco de Goya's painting “El entierro de la sardina” (The Burial of the Sardine) was inspired by this tradition, which started in Madrid in the 18th century, around the time of Spanish King Carlos III. (Photo by Juan Medina/Reuters)

A man lays in front of a tank in the entrance to Istanbul's Ataturk airport, early Saturday, July 16, 2016. Members of Turkey's armed forces said they had taken control of the country, but Turkish officials said the coup attempt had been repelled early Saturday morning in a night of violence, according to state-run media. (Photo by Ismail Coskun/IHA via AP Photo)

The couple freedivers Eusebio and Christina Saeyns de Santamaria, known as «One ocean One breath», exploring the pond around the world, plunging into the water deep down in one breath.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.