This photo provided by Joan Marcus on August 28, 2015 shows ballerina Misty Copeland in the musical “On the Town” at the Lyric Theatre in New York. Until September 6, 2015 Copeland will play Miss Turnstiles, a love interest for one of three sailors enjoying a few hours of shore leave in 1940s New York. (Photo by Joan Marcus via AP Photo)

A girl holds up a photo of Pope Benedict XVI which reads “tear his face” during a protest against the World Youth Day 2011 celebrations taking place on August 17, 2011 in Madrid, Spain. Initiated by Pope John Paul II in 1985, World Youth Day youth-oriented events for the celebration of the Catholic faith are held every three years in a different country; this time in Madrid from August 16 – 21, with Pope Benedict XVI in attendance. (Photo by Denis Doyle/Getty Images)

“MS Herald of Free Enterprise was a roll-on roll-off (RORO) car and passenger ferry owned by Townsend Thoresen. She was one of three ships commissioned by the company to operate on the Dover–Calais route across the English Channel. The ferry capsized on the night of 6 March 1987, moments after leaving the Belgian port of Zeebrugge, killing 193 passengers and crew. This was the deadliest maritime disaster involving a British ship in peacetime since the sinking of the Iolaire in 1919”. – Wikipedia

Photo: The wreck of the Herald of Free Enterprise, which capsized near Zeebrugge on the 6th of March 1987. (Photo by Hulton Archive/Getty Images). 1987

Eleven-year-old Kelen loves to dance in the half-built rooms of the centre in Kabanga Refuge Centre, Tanzania, 2012. The rescue centres protect albino people from the vicious hunters who sell their body parts to witch doctors. Photojournalist Ana Palacios, 43, visited the centre in Tanzania three times between 2012 and 2016 to find out more about the plight of albino people. (Photo by Ana Palacios/Barcroft Images)

A runner tries to get the attention of a bull, named Santon, during the “Toro de Cuerda” (Bull on Rope) festival at Plaza de Espana square in Grazalema, southern Spain, July 18, 2016. Three bulls restrained by a rope are allowed to run through the streets of the village during the annual festival. (Photo by Jon Nazca/Reuters)

Residents with their empty containers crowd around a municipal tanker to fetch water in New Delhi, India, February 22, 2016. The Indian army has taken control of a canal that supplies three-fifths of Delhi's water, the state's chief minister said on Monday, raising hope that a water crisis in the metropolis of more than 20 million people can be averted. (Photo by Anindito Mukherjee/Reuters)

A muslim pilgrim walks through the site where dead bodies are gathered in Mina, Saudi Arabia during the annual hajj pilgrimage on Thursday, September 24, 2015. Hundreds were killed and injured, Saudi authorities said. The crush happened in Mina, a large valley about five kilometers (three miles) from the holy city of Mecca that has been the site of hajj stampedes in years past. (Photo by AP Photo)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.