Manuelle aka the Snake Woman poses for photographs with a beer as she promotes the fnnual Beer Festival Oktoberfest in Cologne, Germany on September 22, 2014. (Photo by Federico Gambarini/EPA/EFE/Rex Features/Shutterstock)

Indigenous Q'eqchi girls practice taekwondo with their teacher, Danny Coy, on a dirt court in the middle of the village in Tipulcan village, San Pedro Carcha, Guatemala, on 25 November 2019 (issued 27 November 2019). Tipulcan village girls learn taekwondo to combat sexist violence and harassment they have suffered in their community in northern Guatemala. (Photo by Esteban Biba/EPA/EFE)

Greek actress Xanthi Georgiou, playing the role of the High Priestess, lights up the torch during the flame lighting ceremony for the Beijing 2022 Winter Olympics at the Ancient Olympia archeological site, birthplace of the ancient Olympics in southern Greece on October 18, 2021. The Olympic flame will once again be lit in an empty stadium on Ovtober 18, 2021, as it starts its truncated journey to Beijing for the Winter Games in February. Like the ceremony in March 2020 to light the flame for Tokyo, and like those Games, which were put back a year, Monday's ceremony is a victim of coronavirus restrictions. (Photo by Aris Messinis/AFP Photo)

Five-year-old Jeda takes a close look at “Sharnana” by artist Drew McDonald at the Sculpture by The Sea on October 18, 2024 in Sydney, Australia. (Photo by Jessica Hromas/The Guardian)

Supporters of opposition member Venancio Mondlane protest during the inauguration of the ruling Frelimo party's leader Daniel Chapo as Mozambique's newly elected President in Maputo, Mozambique on January 15, 2025. (Photo by Reuters/Stringer)

The sun sets behind the Giant Swing, also known as Sao Chingcha, in Bangkok, Thailand, on March 6, 2025. (Photo by Athit Perawongmetha/Reuters)

Sophie Hawkshaw, 9, dressed as a Headless Horseman, participates in a lead rein fancy dress competition for riders under 10 years old at an agricultural show, in Athenry, Ireland on May 25, 2025. (Photo by Clodagh Kilcoyne/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)