Egyptian President Hosni Mubarak speaks to the media after talks with German Chancellor Angela Merkel at the Chancellery on April 23, 2008 in Berlin, Germany. (Photo by Sean Gallup/Getty Images)

Police walk past a burning car during riots in Birmingham City Centre on August 8, 2011 in Birmingham, England. After three nights of rioting and looting in and around London, the chaos is starting to spread to other cities around Britain. (Photo by Jeff J Mitchell/Getty Images)

A rainbow appears over the Louisiana gulf May 26, 2010 in the Gulf of Mexico near Brush Island, Louisiana. (Photo by Win McNamee/Getty Images)

A life-size interactive inflatable sculpture of Stonehenge called “Sacrilege 2012” by English contemporary artist Jeremy Deller on display as part of the “Inflation!” exhibition curated by Mobile M + on April 24, 2013 in Hong Kong. The inflatable artwork is one of six on display as part of the exhibition which is open from April 25, 2013 until June 9, 2013. (Photo by Jessica Hromas)

Anastassia Elias spends hours painstakingly cutting out tiny shapes to make detailed models – and then fits them inside used toilet rolls. Elias, 37, uses paper the same color as the cardboard tubes to build up the intricate scenes from wildlife to construction sites. Photo: Toilet paper roll art of African wildlife. (Photo by Anastassia Elias/Caters News)

“March 19, 2012 was the first rehearsal for the Victory Day Parade at the training ground in Alabino (near Moscow, Moscow Military District). Since the end of February troops and vehicles from various units and formations of the Armed Forces began arriving to Alabino training ground. The first rehearsal included only military vehicles. During the ride the average speed of vehicles is 12 km/h, the distance depending on the type of vehicle from 12 to 15 meters”. – Vitaly Kuzmin

Making use of ULC (ultra light construction,) an Austrian car enthusiast Hannes Langeder managed to build the lightest and slowest Porsche in the world. ...

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)